A Lost Lady
London: Heinemann, 1924. First English edition. Original green cloth, very good. Crane A13.a.i.(e). More
London: Heinemann, 1924. First English edition. Original green cloth, very good. Crane A13.a.i.(e). More
New York: Knopf, 1932. First edition, trade issue. Original green cloth with cover and spine labels. Fine, jacket spine very slightly darkened. Variant dust jacket printed in red and blue on yellow paper, price-clipped as always. Crane A19.a.i. More
London: Cassell, 1932. First English edition. Original green cloth. Dust jacket printed in red and green on yellow paper, unseen by Crane. Crane A19.a.i.(e). More
New York: Knopf, 1948. First edition. Brown cloth, fine in slightly faded dust jacket. Crane A23.a.i. More
New York: Knopf, 1922. First edition, first printing, limited issue. Original white vellum, gilt, ribbon marker. Minor dust-soiling to spine, but a fine copy. Copy 10 of 35 copies printed on Imperial Japan Vellum, signed on the colophon by Cather, five of which were not for sale. One of the..... More
New York: Knopf, 1925. First edition. Cloth backed boards, inner hinges expertly strengthened; a very good copy in a decent dust jacket, which has light edge wear, fading and damp marks on the spine. Half morocco case. Inscribed by Cather to Alice Roullier, daughter of an important art dealer in..... More
New York: Knopf, 1925. First edition, first printing, limited issue. Decorated paper boards, green cloth back, pink paper spine label, yellow and brown paper slipcase, without spine label, spare label tipped to rear endpaper. Slightest fading to spine else a fine copy, one of 185 copies printed on rag paper..... More
New York: Knopf, 1925. Third printing. Tan cloth, a very good copy. Inscribed by Cather to Katherine French Burnham. Although Burnham was a member of the California Bookplate Society, her plate is not present. Crane A14.a.iii. More
New York: Knopf, 1940. First edition. Green cloth-backed boards, gilt top, a fine copy in copy in lightly worn dust jacket (tear on back panel) and publisher's slipcase (title written on slipcase back). One of 520 on rag paper, numbered and signed by Cather.Crane A22.a. More
Boston: Houghton Mifflin, 1915. First edition, second issue. Original smooth blue cloth, gilt, slightly rubbed; very good. An unusual variant; this smooth binding is usually seen on first issue copies. Crane A8.a.i. More
Boston: Houghton Mifflin, 1915. First edition, first issue. Original smooth blue cloth, gilt, a fine copy in a very good example of the rare pictorial dust jacket. Bookplate of Daniel G. Hastings. According to Rare Book Hub and ABPC, only one jacketed copy has been sold at auction for at..... More
London: John Murray, 1916. First English edition (from American sheets). Original blue cloth, a few leaves roughly opened, else a fine copy. One of 1000 copies bound in England from sheets of the American first printing, with a change made to the printing plates removing a passage about Lillie Langtry..... More
New York: McClure, Phillips, 1905. First edition. Original red cloth, a bright and fine copy in the rare dust jacket, slightly worn and darkened. First edition, second issue, with "Doubleday, Page & Co." at the foot of the spine. Cather's second book, and first collection of stories. Inscribed by Cather..... More
Lincoln: University of Nebraska Press, (1970). First edition. Two volumes, cloth, very good in dust jackets. Crane AA9.a. More
New York: Knopf, 1920. First edition. The rare limited issue, one of 35 unnumbered copies issued with all edges untrimmed, signed in full "Willa Sibert Cather" on the front free endpaper. Original green cloth. As these copies are taller than the trade issue, and special binding cases had to be..... More
New York: Knopf, 1920. First edition, trade issue. Original green cloth, a fine, bright copy in a near-fine dust jacket. 3,500 copies were printed. Rare in the dust jacket. Crane A10.a.i. More
New York: Phoenix Book Shop, 1931. First separate edition. Original dark olive-green cloth, paper spine label. A fine, unopened, copy of one of Cather's rarest books. Copy 10 of 30, including five not for sale. At least 20 of these copies are now held by libraries, according to OCLC. The..... More
Boston: Houghton Mifflin, 1912. First edition, second issue (as always, with half-title bound after the title page), of Cather's first novel. Original purple cloth, gilt stamped, with initial "S" on the front cover. A very fine copy in the very rare and fragile typographic dust jacket, split along front hinge..... More
Boston: Richard G. Badger, The Gorham Press, 1903. First edition. Original boards, cover and spine labels. Slight wear to the top end of the spine, small chip missing from the label, split in front hinge over paper; otherwise a very good copy. Crane A1.a. First edition of Cather's first book..... More
Boston: Richard G. Badger, The Gorham Press, 1903. First edition of Cather's first book. Original boards, cover and spine labels. Boards darkened and marked, spine label chipped, nevertheless an attractive copy, preserved in a cloth case. Inscribed twice by Cather: On the front cover "For Albert Donovan from his friend..... More
London: Heinemann, 1924. First English edition (American sheets of A2.b.ii). Original light blue-grey cloth, very good. From the 390 sets of sheets of the American trade second printing, supplied to Heinemann with their imprint on the title page, and bound in England. Book label of the English art historian John..... More
New York: Knopf, 1929. First illustrated edition. Original brown, a fine copy. Inscribed by Cather for Mary Campbell, dated March 15, 1933. Crane A16.b.i. More
Berlin: Velhagen & Klasing, [1958]. First separate edition. Wrappers, fine. Published for German students of English. Crane EEE3. More
New York: Knopf, 1956. First edition. First edition. Fine in price-clipped dust jacket. More
Valparaiso, Ind. Lewis E. Myers, (1924). Third printing. Sheets of the second issue with an altered title page. Original red-brown cloth, spine dull, else very good. "This printing was part of an extravagant promotion scheme to sell subscriptions [to McClure's Magazine] and inspire Myers's salesmen," Crane. Inscribed by McClure. Crane..... More