![Gems of the Exhibition. [Cover-title] 1851.](/pictures/thumb/31472.jpg?v=1532558076)
1851. Quarto. Original leather, stamped in blind and gilt, title stamped in the center of the upper cover. Colored dome-topped engraving (10 1/4 x 7 1/4 inches; 26 x 18 cm. ) of the Exhibition hall, plus 12 unsigned hand-colored prints mounted on card, illustrating various exhibits: Crystal Fountain, Silk... More
London: R. Ackermann, 1816. First edition. Quarto, 14 1/2 x 11 1/2 inches. Original boards with printed title information on the front board, roan back. Title-page, 34 text pages and five colored engravings. Excellent, clean copy, with mild offset from the plates to facing pages. See Tooley 3. More
London: Hogarth Press, 1926. First (trade) edition. Marbled paper over boards (predominantly red) paper spine label. Fine copy. One of 500 printed, 70 later pulped. With a typed card of presentation from the author. Woolmer 83B. More
London: Longman, 1859. First editions. Four volumes. Original cloth, gilt. Small tear at the head of the spine of the first series, its covers somewhat darkened, but a very good copy; Both volumes of the 1862 second series have old ink shelf numbers on the spine, and bumped corners, but... More
21st Editions, 2008. Baldridge, Jamie. First edition. 20-1/2 x 16-1/2 inches. Text and 12 richly colorful, surrealistic pigment ink prints, printed and signed by the artist. Designed by Michael Russem at Kat Ran Press, using handset Bell type, cast by Michael and Winifred Bixler. Bound in patinated metal over boards... More
1972. Bassouls, Sophie. 12 x 16 inch silver print, signed by the photographer. Sophie Bassouls, photographer with the Corbis-Sygma Agency, she has produced more than 3000 literary portraits. Her work has been widely exhibited, in France, and in the United States. More
Paris: Europa Press, 1935. First edition. [36] p. 23 cm. Original printed wrappers, fine copy. Copy number 46 of 327 copies, one of 250 on Alfa paper. Specially signed by Beckett on the title page. Folding case. Davis 35A1. More
New York / London: Dutton / Grant Richards, 1901. Enlarged to two volumes by the addition of four autograph letters: William Beckford, Lord Delaval, Lady Blessington, and Lord Bute, an original watercolor by John Gendall, and 123 portraits and engravings, many colored. Black goatskin, gilt, all edges gilt, by The... More
London: Printed by T. Bensley for R. Bowyer and M. Parkes, 1828. Reprint. Folio, 20 x 15 inches. 10 leaves of text and 12 colored aquatint plates, exquisitely reproducing works by Samuel Prout, William Collins, John Smith, Francis Nicholson, and Robert Hills. Original boards, paper label, spine worn, plates and... More
Paris: Gallimard, (1959). First edition. Copy 7 of 21 on Hollande van Gelder (tirage de tête). Bound by Antonio Perez Noriega utilizing articulated strips of wood, with a black box calf spine, lettered in red, ultrasuede doublures, wrappers and spine preserved. Matching box with sliding opening. Provenance: Fred Feinsilber (bookplate). More
Monaco: Incidences, 1944. First edition. Wrappers, spine lightly creased, else fine. Cloth case with leather label. One of 2000 copies on vergé. Inscribed by Camus to the writer Max Delatte, "par procuration (abusive)"; the inscription is slightly smudged. More
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New York: Knopf, 1925. First edition. Cloth backed boards, inner hinges expertly strengthened; a very good copy in a decent dust jacket, which has light edge wear, fading and damp marks on the spine. Half morocco case. Inscribed by Cather to Alice Roullier, daughter of an important art dealer in... More
![[Panorama of Machu Picchu]. Martín Chambi.](/pictures/thumb/28075.jpeg?v=1507253406)
Peru: ca. 1930-1938. Two joined views, printed on albumen paper, measuring 47 x 17 1/3 cm (18 x 7 inches). In excellent condition, matted and framed. More
Paris: Lapina, 1922. Hémard, Joseph. 4°, XXIV + 407 p., Illustrated with 19 hors-texte color plates and 120 illustrations in the text, colored by the pochoir (stencil) process. Copy number 126 signed by Hemard, from a total edition of 521. Parchment covers, top edge gilt, others uncut, in fine condition... More
Richmond: Hogarth Press, 1919. First edition, second state of page 13, with misprints corrected. One of fewer than 250 copies hand-printed by Leonard and Virginia Woolf. Original marbled paper wrappers, with label printed in black (second issue). Detached from wrappers, which have been expertly restored on the spine. Gallup A3; Woolmer 4. More
![Stoomwals [Steamroller], from XXIV Emblemata. Maurits Cornelis Escher.](/pictures/thumb/23112.jpg?v=1440649434)
Bussum: C.A.J. van Dishoeck, 1932. Escher, M.C. Woodcut, 7 1/8 x 5 1/2 inches (180 x 140 mm.), fine condition, matted and framed under plexiglass. Example 193 from an intended edition of 300, printed on Van Gelder simili Japon by. More
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Paris: Éditions de l'intermédiaire du bibliophile, 1926. Brissaud,Pierre. 235, [1] p., [9] col. leaves of plates One of 625 on Arches paper (total edition of 705). With aquarelles (water colors) by Pierre Brissaud reproduced by the pochoir process. Half morocco with decorated paper sides, top edge gilt, others uncut; binding... More
Richmond: Hogarth Press, 1920. First edition. 500 copies were hand printed by Leonard and Virginia Woolf, from type set by Virginia. Original blue wrappers , plain title label (third state). Edges faded but a very good copy. Woolmer 9. More
Richmond: Hogarth Press, 1920. First edition. 500 copies were hand printed by Leonard and Virginia Woolf, from type set by Virginia. Original blue wrappers, title label surrounded by a gold border (state 1). Spine slightly faded, but a near-fine copy, unopened. Bookplate of New Directions publisher James Laughlin. Kirkpatrick A6; Woolmer 9. More
Richmond: Hogarth Press, 1921. First edition. One of 150 copies, hand printed by Leonard and Virginia Woolf. 6 inches x 8-1/2 inches. [26] leaves, printed on rectos only, consisting of: Title page, 12 woodcut illustrations printed in black, each preceded by a title leaf printed in red; Hogarth Press list... More
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[ca. 1947?]. Grandpierre, Victor. First edition. 60 original silver print photographs by Victor Grandpierre, mounted on bristol boards with rounded, gilt edges. 29 x 22 cm. The images depict somewhat surrealistic arrangements of decorative household objects, each illustrating a poem by Louise de Vilmorin, printed in facsimile of her manuscript... More
Boston: Ticknor, Reed and Fields, 1850. First edition. Original brown cloth, stamped in gilt and blind. Small area of wear at the base of the spine, corners slightly rubbed, otherwise a fine copy. The gilt is bright, hinges sound, text block clean and fresh. March 1850 catalogue at front, slightly... More
New York: Knopf, 1934. First edition. Brown cloth, very good. Hellman's first play. Inscribed to the Gershwins, "For Master Ira and Mistress Leonore with love / Lillian" More
![The Innocent Voyage [A High Wind in Jamaica]. Richard Hughes.](/pictures/thumb/28518.jpg?v=1492209227)
New York: Harper, 1929. First edition, published in the US in February 1929 and in Britain as A High Wind in Jamaica, in late September. Full red goatskin, top edge gilt, decorated turn-ins, marbled endpapers; a presentation binding. Inscribed by Hughes "To Isabel Paterson / With the warmest gratitude and... More
