London: R. Ackermann, 1816. First edition. Quarto, 14 1/2 x 11 1/2 inches. Original boards with printed title information on the front board, roan back. Title-page, 34 text pages and five colored engravings. Excellent, clean copy, with mild offset from the plates to facing pages. See Tooley 3. More
London: Hogarth Press, 1926. First (trade) edition. Marbled paper over boards (predominantly red) paper spine label. Fine copy. One of 500 printed, 70 later pulped. With a typed card of presentation from the author. Woolmer 83B. More
Managua: Instituto de Historia de Nicaragua y Centroameríca, (2000). First edition. Wrappers, fine. One of 1200 copies printed. Inscribed by the photographers Alvarez and Gordillo, and the author Torres, to the Nicaraguan poet and activist Daisy Zamora. A documentary photobook of life and customs on Nicaragua's Caribbean coast. With the..... More
21st Editions, 2008. Baldridge, Jamie. First edition. 20-1/2 x 16-1/2 inches. Text and 12 richly colorful, surrealistic pigment ink prints, printed and signed by the artist. Designed by Michael Russem at Kat Ran Press, using handset Bell type, cast by Michael and Winifred Bixler. Bound in patinated metal over boards..... More
New York: Grove Press, (1954). First American edition. Black cloth, a fine copy in dust jacket, price-clipped and slightly darkened. First edition of Beckett's own translation into English. More
London: Hogarth Press, 1925. First edition. Marbled paper over boards, white cover label. Slight fading of spine; very good. Works in English by a Hungarian poet who was killed in action in 1915. While the edition size is unknown, Leonard Woolf's ledger shows only 76 copies sold, and 90 pulped..... More
Paris: Collection Charef, 1975. Benanteur, Abdallah. First edition. One of 20 copies, signed by author and artist; with a long inscription from the author. 5 x 5 3/4 in. (127 x 140 cm). 58 decorated text pages and 35 etchings. Bound by Jill Oriane Tarlau in dark olive morocco, with..... More
New York: Pantheon, (1945). First edition. Red and black cloth, clippings attached to endpapers, otherwise a fine copy, the scarce dust jacket is split along one fold. Broch's masterpiece, which he began writing while imprisoned and completed after his emigration to the United States, where an English translation was published..... More
New York: Random House, (1959). First American edition. Translated by Archibald Colquhoun. Brown cloth, a fine copy in lightly worn dust jacket (designed by Georg Salter). Inscribed and signed by Calvino, on his first visit to New York, "a Vera che ha afatto arrampicare il Barone sulle piante americane, con..... More
Paris: Gallimard, (1958). Third overall and first Gallimard edition of Camus's first book, originally published in 1937. Original wrappers, paper browned but an excellent copy. Cloth case with leather label. Inscribed by Camus to the sociologist and editor Roger Caillois. The book contains five essays: "L'Ironie," "Entre oui et non,"..... More
Paris: Gallimard, (1954). First edition, on ordinary paper. A service de presse copy of this collection of essays, containing among others "Le Minotaure ou L'Halte d'Oran". Presentation copy, inscribed by Camus to the naval historian Léonce Peillard. Original printed wrappers, fine and unopened, with the errata slip, and the publisher's..... More
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Privately printed, 1925. First edition. White boards, in salmon-colored dust jacket. Fine copy. One of 300 numbered and signed copies.From Ira Gershwin's library, with posthumous bookplate. More
London: J. Taylor, 1820. First edition. Folio, 16 x 12 1/2 inches (32 x 41 cm.). (2) pp., 16 text leaves, plus 26 colored aquatints. Original 1/4 roan over cloth, title git stamped in the center of the front cover, gilt edges. Binding extremities worn, but internally in excellent condition..... More
![Stoomwals [Steamroller], from XXIV Emblemata. Maurits Cornelis Escher](/pictures/thumb/23112.jpg?v=1440649434)
Bussum: C.A.J. van Dishoeck, 1932. Escher, M.C. Woodcut, 7 1/8 x 5 1/2 inches (180 x 140 mm.), fine condition, matted and framed under plexiglass. Example 193 from an intended edition of 300, printed on Van Gelder simili Japon by. More
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Paris: Éditions de l'intermédiaire du bibliophile, 1926. Brissaud,Pierre. 235, [1] p., [9] col. leaves of plates One of 625 on Arches paper (total edition of 705). With aquarelles (water colors) by Pierre Brissaud reproduced by the pochoir process. Half morocco with decorated paper sides, top edge gilt, others uncut; binding..... More
Richmond: Hogarth Press, 1920. First edition. 500 copies were hand printed by Leonard and Virginia Woolf, from type set by Virginia. Original blue wrappers, plain title label (third state). Edges faded but a very good copy. Woolmer 9. More
Jan., Feb. 1967. Both letters are signed "Morgan" by E.M.F., in a shaky hand. The longer of the two letters, mentioning the Aldeburgh Festival and a Golders Green production of "Howard's End", is in the hand of his secretary J.R. Ackerley. More
Paris: Gallimard, (1929). First edition. First combined edition of Gide's belated discovery and denunciations of colonialism. Contemporary calf, gilt, by Millioud, original wrappers and spine preserved. 13 inches x 10 inches. Slight wear to extremities, endpapers foxed, otherwise excellent condition. One of 1571 copies on Arches paper, this not numbered..... More
Matted to 13-1/4 inches, x 8-3/4 inches. Archivally framed, signed, titled, and dated. Inscribed by the photographer to art historian and curator Peter Selz. Selz wrote the introduction to Nagler's 2010 book "Word on the Street," which would have been written by Ginsberg, had he not passed away. Fine condition..... More
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[ca. 1947?]. Grandpierre, Victor. First edition. 60 original silver print photographs by Victor Grandpierre, mounted on bristol boards with rounded, gilt edges. 29 x 22 cm. The images depict somewhat surrealistic arrangements of decorative household objects, each illustrating a poem by Louise de Vilmorin, printed in facsimile of her manuscript..... More
New York: Charles Francis Press, (1903). First edition. Grey's scarce first book, published at his own expense. This is a contemporary presentation copy, inscribed and signed by the author on a sheet pasted to the front endpaper, within his hand-drawn border: "To Miss Myra Emmons A Merry Christmas and a...... More
Boston: Ticknor, Reed and Fields, 1850. First edition. Original brown cloth, stamped in gilt and blind. Spine dull, frayed at the ends, slight wear to corners, hinges trifle loose; internally mostly fresh and clean. March 1850 catalogue. BAL 7600. More
New York: Knopf, 1934. First edition. Brown cloth, very good. Hellman's first play. Inscribed to the Gershwins, "For Master Ira and Mistress Leonore with love / Lillian" More
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London: Longmans, 1847. Humphreys, Noel. 8vo, 6 1/4 x 4 1/2 in. Chromolithographed title page and 31 chromolithographed pages, with text, symbolic borders, miniatures and initials printed in gold, black, and colors, 2 page printed explanation and advertising leaf. Publisher's papier-maché boards, covered with black plaster, molded to appear like..... More
