London: Hogarth Press, 1925. First edition, first issue binding. Patterned mauve and pink paper boards, with yellow title label. Spine tanned, slightly rubbed. Very good. Bonnell A12; Woolmer 55. More

London: Hogarth Press, 1926. First (trade) edition. Marbled paper over boards (predominantly red) paper spine label. Fine copy. One of 500 printed, 70 later pulped. With a typed card of presentation from the author. Woolmer 83B. More

London: Longman, 1859. First editions. Four volumes. Original cloth, gilt. Small tear at the head of the spine of the first series, its covers somewhat darkened, but a very good copy; Both volumes of the 1862 second series have old ink shelf numbers on the spine, and bumped corners, but..... More

1972. Bassouls, Sophie. 12 x 16 inch silver print, signed by the photographer. Sophie Bassouls, photographer with the Corbis-Sygma Agency, she has produced more than 3000 literary portraits. Her work has been widely exhibited, in France, and in the United States. More

London: Printed by T. Bensley for R. Bowyer and M. Parkes, 1828. Reprint. Folio, 20 x 15 inches. 10 leaves of text and 12 colored aquatint plates, exquisitely reproducing works by Samuel Prout, William Collins, John Smith, Francis Nicholson, and Robert Hills. Original boards, paper label, spine worn, plates and..... More

London: Printed for J. and R. Tonson, et al. 1753. First edition. Folio, (10 1/2 inches x 9 3/4 inches). Contemporary calf, expertly rebacked to style, spine richly gilt, some few paper repairs, very good condition. Samuel Powell (of Hammerton Hall) bookplate. The grandest edition of Duncan's popular translation of..... More

Paris: Gallimard, (1954). First edition, on ordinary paper. A service de presse copy of this collection of essays, containing among others "Le Minotaure ou L'Halte d'Oran". Presentation copy, inscribed by Camus to the naval historian Léonce Peillard. Original printed wrappers, fine and unopened, with the errata slip, and the publisher's..... More

Boston: Richard G. Badger, The Gorham Press, 1903. First edition. Original boards, cover and spine labels. A little bit of darkening to the spine, and discoloration of the endpapers, but a fine copy. with what may be the original glassine wrapper. Crane A1.a. First edition of Cather's first book, published..... More

Self published, 1987. Pierre Della Giustina. 40 X 62 cm. 10 unnumbered leaves, french-folded. Binding is cardboard with exposed red thread. Copy no. 2 of ten copies numbered and signed by the artist. Fine condition. Woodblock and aquatint prints on papier de chine, incorporating the lyrics of Queneau's song... More

New York: Boni and Liveright, 1922. First edition. Copy 391 of 1000. Original flexible black cloth, one of 500 copies so bound (the first binding issue). "Mountain" is correctly spelled on p. 41. Covers and margins mildly damp stained. Gallup A6a; Woolmer 28. More

Jan., Feb. 1967. Both letters are signed "Morgan" by E.M.F., in a shaky hand. The longer of the two letters, mentioning the Aldeburgh Festival and a Golders Green production of "Howard's End", is in the hand of his secretary J.R. Ackerley. More

Paris: Gallimard, (1929). First edition. First combined edition of Gide's belated discovery and denunciations of colonialism. Contemporary calf, gilt, by Millioud, original wrappers and spine preserved. 13 inches x 10 inches. Slight wear to extremities, endpapers foxed, otherwise excellent condition. One of 1571 copies on Arches paper, this not numbered..... More

New York: Harper, 1929. First edition, published in the US in February 1929 and in Britain as A High Wind in Jamaica, in late September. Full red goatskin, top edge gilt, decorated turn-ins, marbled endpapers; a presentation binding. Inscribed by Hughes "To Isabel Paterson / With the warmest gratitude and..... More