Fine album of 12 erotic paintings on silk in a progression from modest to explicit. Each painting measures 14 inches x 21 inches Early 20th century. More

One page, written in blue ink on a sheet of unwatermarked paper. Some edge wear, small old tape repairs. A rare example from the hand of the 1977 Nobel laureate, published in his 1953 collection Nacimiento Ultima. Provenance: Given by Aleixandre to the Nicaraguan poet Ernesto Mejía-Sanchez (1923-1985). More

Greenway Productions - Twentieth Century-Fox, 1965. First Draft script, dated September 6, 1965, with revisions dated 9/14/65 (blue), 9/21/65 (pink), 10/1/65 (green), 101/25/65 (yellow), 10/26/65 (goldenrod). (2), (1)-2, (1), 65 pp.,brad bound in printed covers (dated Oct. 1, 1965). Although it shared a title, this was not based on Ambler's... More

London: Hogarth Press, 1925. First edition. Marbled paper over boards, white cover label. Slight fading of spine; very good. Works in English by a Hungarian poet who was killed in action in 1915. Leonard Woolf's ledger shows only 76 copies sold, and 90 pulped. Woolmer 56. More

Paris: Collection Charef, 1975. Benanteur, Abdallah. First edition. One of 20 copies, signed by author and artist; with a long inscription from the author. 5 x 5 3/4 in. (127 x 140 cm). 58 decorated text pages and 35 etchings. Bound by Jill Oriane Tarlau in dark olive morocco, with... More

Los Angeles: Artists' (Floating, Invisible) Museum, 1997-2004. First edition. Thirty-one folders, (13-1/4 x 10-1/8 inches) one containing text about the project, each of the others containing an original art work, housed in a clamshell box, designed by Carolee Campbell and handmade by Judi Conant; folders printed letterpress by Carolee Campbell... More

San Francisco: The Arion Press, 1982. Dine, Jim. Edition of 150 copies, plus 15 hors de commerce, numbered in Roman numerals, of which this is one, signed by the artist and the printer. Format: 15 by 11 inches, 64 pages. Printed damp on French handmade Apta Velin from the Richard... More

Bussum: C.A.J. van Dishoeck, 1932. Escher, M.C. Woodcut, 7 1/8 x 5 1/2 inches (180 x 140 mm.), fine condition, matted and framed under plexiglass. Example 193 from an intended edition of 300, printed on Van Gelder simili Japon by. More

London: Hogarth Press, 1923. First edition. 9 pp., 24 plates. Japan vellum boards, with design by Duncan Grant printed in black, paper spine label (slightly rubbed). First issue binding, one of 400 bound in 1923. A very good copy. Woolmer 31. More

Two page autograph note, on a small piece of lined paper, 15.5 x 10 cm (6 x 4"). It reads "Martin - Death is a bright madness!! I came by too late to wake you! Be good to your babes in Fosters - love Allen." Beneath this Orlovsky has added... More

[Los Angeles]: Jerry Wald Productions, June 10, 1957. First Draft Continuity, mimeographed, 178 leaves, bradbound in mimeographed Twentieth Century-Fox wrappers. Copy number "17": stamped on cover and first page. Edge wear to wrapper, distribution receipt removed. On the first page Fred Astaire's address is written in pencil. Isherwood began writing... More

One of 300 copies. Matted and framed. Fine condition with minimal fading of the signatures. Sargent's portrait was commissioned in 1913, by a group of James's English friends, in honor of his seventieth birthday. James agreed to sit on condition that the portrait would be given to the National Portrait... More

Boston: Houghton Mifflin, 1929. First edition. Yellow cloth, fine copy in slightly edge-worn first printing dust jacket. Small name stamp on endpaper. Winner of the Pulitzer Prize for Fiction. More