1924. N o. 1, July 1924; Edited by Gorham Munson.
Woodstock, N.Y. 1924. Wrappers, very good. Contains Crane's "Interludium" and "Sunday Morning Apples". Schwarz and Schweik B50. More
Woodstock, N.Y. 1924. Wrappers, very good. Contains Crane's "Interludium" and "Sunday Morning Apples". Schwarz and Schweik B50. More
Woodstock, N.Y. 1924. Wrappers, very good. Contains Crane's "Voyages," "Whose counted smile of hours and day suppose", published as "Voyages IV" in "White Buildings" More
New York: Boni & Liveright, 1927. Second printing (February 1927). 8vo, frontispiece by Henri Gaudier-Brzeska, 231 pp., original dark blue cloth, spine and edges slightly rubbed and faded. Inscribed by Hart Crane to the artist John W. Taylor "To Jack Taylor, Good friend and counselor, Hart Crane, December '28". The..... More
[Bolinas]: Sara Schrom, 1979. Photocopied sheets, side stapled. Lower cover detached, else very good. *"An unauthorized Xerox of the Original Fuck You Press publication with special addenda of Canto CXX". An interesting derivative, second-generation piracy. "Canto 120" (one of the fragments from Canto 115) is reproduced from "Anonym", Buffalo, 1969..... More
London: Faber and Faber, (1934). First separate edition, reprinted from "Quia Pauper Amavi" Original light blue paper boards, Knocked on the top edge, otherwise a fine copy, in faintly worn dust jacket. One of 1000 printed. Gallup A 38a. More
Milan: All' Insegna del Pesce D'Oro, 1950. First edition. Original grey paper boards, slight wear to corners; a very good copy. One of 500 numbered copies, printed by the Stamperia Valdonega. Gallup A70a. More
Iowa City: Windhover Press, 1982. First edition. Original quarter brown goatskin, fine, boxed as issued. One of 25 special signed copies, which include a postcard from Pound to the author, and a printed slip concerning Laughlin's donation of the post cards to the University of Iowa Foundation. The postcard, dated..... More
London: Elkin Mathews, 1915. First edition. Original brown wrappers, a fine copy, free from the frequently found spotting or foxing, one of 1000 printed. Bookplate of Eleanor and Fred Reid by Jack B. Yeats. These poems were not Pound's actual translations, but superbly allusive versions of the Chinese poems and..... More
Milano: All'insegna del Pesce d'oro, 1965. First edition. Wrappers, with wraparound band, very good. One of 500 numbered copies, there were 100 more numbered with Roman numerals. Interviews with the poets, and a 45 r.p.m. recording of them reading, with electronic music by Vittorio Gelmetti. Pound reads Canto XLV. Not..... More