Paris: September 1922. First edition. Edited by Arthur Moss and Florence Gilliam. Contains Crane's poem "The Fernery" . Wrappers, very good. This issue contains “The Fernery” by Hart Crane, a 10-line poem that differs considerably from the version later published in “White Buildings:” The lights that travel on her spectacles..... More

Paris: December 1921. First edition. Includes the first publication of one of Hart Crane’s significant early poems, “Chaplinesque,” which was later included in “White Buildings.” 0].Wrappers, browning, somewhat brittle; splitting at spine, closed tears. [Schwartz & Schweik B 2. More

1932. Typescript signed (“Hart Crane”) of Crane's poem “The Broken Tower” 2 pages (11 x 8 3/8 in.; 278 x 214 mm), Mixcoac, Mexico, 25 March 1932, carbon copy, 10 quatrains, single- spaced on the rectos of two sheets of thin typewriter paper, Crane’s name, Mexican address, and date typed..... More

Franklin Library, 1979, With publisher's booklet, from "The 100 Greatest Masterpieces of American Literature" series.6 1/2 in. x 8 1/2 in., xxiii, 191 pp., illustrated with color reproductions of paintings by Joseph Stella. Dark blue leather, with two raised bands, gilt titling and decorations, all edges gilt, tan fabric endpapers..... More

New York: Liveright, (1933). First edition. First Edition, second Issue. 8vo., original maroon cloth titled in gilt and ruled in blind, front inner hinge shows a crack. This book belonged to Betty Crane Madden. From the collection of Vivian Pemberton, Emeritus Professor of English, Kent State University. [Schwartz & Schweik..... More

New York: Liveright, (1933). First edition. Large 8vo, dark maroon cloth stamped in gold, with blind-stamped rule on front cover, pp. xxxiv, 179. Spine gilt lettering is dull, text lightly tanned at edges. 157 pages of poems, including twelve previously uncollected poems. The personal reading copy of Crane scholar John..... More

New York: Liveright, (1933). First edition. 8vo, cloth. First edition. A fine copy in near fine dust jacket with touch of wear at head and tail of spine panel and several corners, several tiny closed tears at edges, and small transparent paper tape reinforcements at head and tail of spine..... More

New York: Liveright, (1933). First edition. 8vo. Original brown cloth, gilt-lettered on front cover and spine (spine very slightly faded). FIRST EDITION, DELUXE LIMITED PRESENTATION ISSUE, number 1 of 50 copies. These presentation copies were specially bound in brown silk, with black endpapers, and contain a press-numbered colophon on p.[ii]..... More

Paris: The Black Sun Press, 1930. Evans, Walker. First edition. First edition Quarto, original white printed wrappers, small ownership "chop" on front endpaper, a fine copy in original silver paper slipcase. No. 97 of 200 numbered copies on Holland paper. [Schwartz & Schweik A 2]. More

New York: Boni & Liveright, 1926. First edition, second issue. Second state, with tipped-in title page spelling Allen Tate's name correctly. Inscribed by to Solomon Grunberg, a bookseller and close friend of Crane: “For Solomon Grunberg | with best wishes - | Hart Crane.” Solomon Grunberg is described by Crane..... More

New York: Boni & Liveright, 1926. First edition, first issue. 8vo. Original quarter blue cloth, boards covered with black-and-beige textured paper, without dust jacket. FIRST EDITION, THE VERY SCARCE FIRST ISSUe, with the misspelling "Allan Tate" on the title page. The entire first printing consisted of 500 copies; 50 were..... More

New York: Grabhorn Press, for Random House, (1931). Limited edition. One of 980 printed by the Grabhorn Press, with decorations by Valenti Angelo. Small folio, cloth backed boards, edges and spine label faded; a very good copy. From Ira Gershwin's library, with posthumous bookplate. More