The Hound and Horn
Summer, 1930. First edition. Wrappers worn good. "The Bridge" reviewed by Allen Tate. More
Summer, 1930. First edition. Wrappers worn good. "The Bridge" reviewed by Allen Tate. More
1916. More
Illustrated wrappers, spine chipped. Features Crane as Associate Editor. In the margin of page 21, above Dimond Crisp's poem "Valentine (To a picure by Abel Warshowsky)", Crane has written: "Dear Mrs Baker, This poem seems to me quite descriptive of the picture by the same Artist that adorns your living..... More
New York: Pagan Publishing Co., 1918. Illustrated tan wrappers, very good. Crane is listed as Associate Editor (with Eugene O'Neill), and contributes two poems "Carrier-letter" and "Postscript", neither reprinted during his life, an essay "The Case Against Nietzsche", and, signed with initials, a recap of recent events titled “Last Chords,”..... More
October 1926 ("At Melville's Tomb"); October 1927 ("Cutty Sark");April 1930 ("El Dorado"); November 1930 ("To Brooklyn Bridge"); April 1932 (Review of James Whaler); January 1933 (The Urn (12 poems. Plus April1927 ande June 1930, containing reviews of Crane by Yvor Wintera. More
1930s-1960s. Includes correspondence from John S. Van E. Kohn (Seven Gables Bookshop), Brom Weber, Andreas Brown (Gotham Book Mart), plus offprints of reviews and articles about Crane. An instructor of English at Rutgers University and later a professor of English and American literature, Professor Birss was a noted Herman Melville..... More
Brooklyn: 1924. Wrappers, very good. Contains works by Hart Crane, William Carlos Williams, Wallace Stevens, and others. More
Brooklyn: 1924. Wrappers, very good. Contains the first part of Crane's "For the marriage of Faustus and Helen". Schwartz and Schweik B 36. More
New York: Pagan Publishing Co., [1919]. First edition. Cloth backed boards, cover label, not issued in dust jacket. A very good copy. Contains the first book publication of Crane's "Forgetfulness". Ownership signature of Conrad Komorowski, the Communist editor of Glos Ludowy (The People's Voice) the official organ of the Polonia..... More
New York: Pagan Publishing Co., [1919]. First edition. Cloth backed boards, cover label, not issued in dust jacket. A fine copy. Contains the first book publication of Crane's "Forgetfulness" More
New York: Pagan Publishing Co., [1919]. First edition. Cloth backed boards, cover label, not issued in dust jacket. Very good. Contains the first book publication of Crane's "Forgetfulness" More
Shelton, N.J., March 1919. First edition. Wrappers, near fine. Contains Crane's "To Potapovich". Cover design by Rockwell Kent. More
New York: The Literary Guild, 1927. A collection of original essays, stories, and poems by 72 writers of the 1920s. Contributors include Robert Penn Warren, Ernest Hemingway, Eugene O'Neill, and Gertrude Stein. Decorative endpapers. Black cloth with gilt titling on spine and on front cover. Corners and margins show wear..... More
Wesleyan University Press, (1969). First edition. Boards in dust jacket; very good. Inscribed by Brown. More
New York: Macaulay, 1927. First edition. Tan cloth. xvi + 872 pp. Front hinge starting, else very good, in dust jacket A collection of original essays, stories, and poems by 60 writers of the 1920s. Contains Crane's "The River," which had been rejected by "The Little Review". Harry Crosby's 1929..... More
Woodstock, N.Y. 1924. Wrappers, very good. Contains Crane's "Interludium" and "Sunday Morning Apples". Schwarz and Schweik B50. More
Woodstock, N.Y. 1924. Wrappers, very good. Contains Crane's "Voyages," "Whose counted smile of hours and day suppose", published as "Voyages IV" in "White Buildings" More
London: 1927. 150 mm.X 225 mm. Yellow wraps, yapp edges nicked & creased, spine sunned, a bit rubbed, some minor spine chips. Contents fine. “The Tunnel” by Hart Crane. [Schwartz & Schweik B 112]. More
Northampton, Massachusetts: 1923. First edition, square 16mo, unpaginated but substantial; a tight copy but light damp staining in lower third throughout and original paper wrapper soiled with dark spot near front joint; contains two plates after woodcuts by Lyonel Feininger, Marinetti on Futurism, poetry including “America’s Plutonic Ecstasies,” Hart Crane’s..... More